Living out of tune
Can be so painful.
But you don't have to know.
You can listen through rhythm
let the sound move
and begin where you are.
There are moments when life doesn’t feel broken or wrong, just slightly out of sync.
Not enough to diagnose or explain.
But enough to feel.
For many people, sound offers a way back.
This doorway uses the drum as a simple, elemental interface for listening and engaging.
No musical background is required.
Nothing needs to be performed or shaped.
The work begins by allowing what’s present to move into sound.
This practice is not about technique.
It’s not about becoming a drummer.
The drum functions as a limited expressive field.
A surface that makes it easier to play what’s actually present, without needing to refine, organize, or explain it.
One person.
One drum.
A clear invitation.
For some people, this is the most direct way into contact.
Sometimes what helps is simplicity we can trust.
Sometimes what helps is range and openness.
Both drum and piano are capable of great simplicity and great complexity.
And complexity can be nourishing.
It can also be overwhelming.
The piano offers many possibilities in each moment.
You can hold many sounds at once, and vary that over time.
The drum offers very few expressive options.
That limitation is what gives it power.
With a small pitch range and no polyphony, expression can’t easily move upward into explanation or complexity. Attention is drawn instead to lower‑frequency signals such as:
movement
pressure
pacing
charge
release
The drum doesn’t translate experience into sound.
It allows experience to move as sound.
Sessions begin with an invitation to play what you feel inclined to play.
There is no imposed tempo.
No required pulse or pacing to follow.
You’re not asked to regulate yourself or organize your sound. The emphasis is on allowing what’s present to move into sound directly, physically, without refinement.
Some people play softly.
Some play forcefully.
Some pause, listen, and begin again.
The drum holds it all.
Structure comes from the container, not from the rhythm.
Listening happens as you play, not before or after.
Over time, people begin to notice:
how they approach expression
where they hold back
where sound arrives easily
how it feels to stay with what’s emerging
Nothing needs to be corrected.
Nothing needs to be made musical.
While the work begins with expression rather than regulation, many people find it grounding over time.
Common shifts include:
greater capacity to feel without overwhelm
more tolerance for intensity and pause
less need to manage or contain experience
Regulation is not imposed.
It emerges as expression is allowed to complete.
This changed my relationship to the drum. I don’t hesitate to approach it anymore. I can let myself play what flows through instead of worrying about what I don’t know.
Dana W
People often arrive at the drum doorway when:
thinking and insight aren’t restoring balance
embodiment feels like the missing piece
rhythm already feels familiar or compelling
This includes people who hold space for others, as well as those simply wanting a steadier relationship with themselves.
There’s no diagnosis implied.
Just recognition.
If rhythm feels like a natural doorway for you, you’re welcome to begin here.
This practice stands on its own, and connects to a larger listening ecosystem if and when you’re curious.
No rush.
No hierarchy.
Just one clean place to start.
All drum options share the same foundational practice.
What changes is duration and how much territory we explore.
Duration reflects capacity, not seriousness.
6‑week live practice · Grounding
A foundational drum practice for restoring orientation through contact, sound, and attention.
Using simple, intuitive drumming, this container supports:
grounding attention
allowing expression to move fully
developing trust in direct contact
You’ll be:
playing what’s present
listening as sound unfolds
building continuity without pressure
This is a good place to begin, and a complete practice in itself:
$250
Best for:
Those wanting a direct, embodied way to regain steadiness.
12‑week live practice · Relational
A sustained drum‑based practice for remaining oriented while holding complexity, intensity, or others.
This arc includes The Beat and continues into deeper continuity, where the drum becomes a reference point for responding, relating, and adapting.
Selected traditional rhythms may be introduced as supportive structures — not as repertoire, but as anchors for continuity.
You’ll be:
staying present under pressure
allowing intensity without overwhelm
using sound as a stabilizing reference across change
Investment: $450
Payment plans available.
Best for:
Those wanting more time for integration and continuity.
I'm Daniel Barber (Two Trees), and I am a drummer and ritual leader who has spent decades working with rhythm as a way of helping people come into right relationship with themselves, one another, and the moment they're in. I've led and supported music for grief rituals, rites of passage, celebrations, and community gatherings, where rhythm serves as a bridge between the visible and the unseen, the individual and the collective.
I'm a certified Rites of Passage Counsel Wilderness Guide (ROPC) and an ordained Jubilee! Minister of Music and Ritual.
I've found that through simple, accessible drumming, people are invited into a shared field of rhythm where grounding arises not from control, but from contact... with pulse, with breath, and with patterns older than words.
I'm deeply grateful for the teachers, traditions, and communities that have shaped this work, and for the chance to offer rhythm in service of presence, connection, and belonging.

If the drum feels like the right doorway, you’re welcome to begin here.
No pressure.
No aspirational stretch.
Just an honest next step.